The Toilette of Venus
François Boucher
(French, Paris 1703–1770 Paris)
Francois Boucher is represented one of artists in golden
age of France Rococo painting. Boucher enjoyed immense and widespread public
popularity from not only aristocrat and noblesse patronage but also ordinary
people by reflecting exactly about taste and trend in that period. In 18th
century, France culture trend is dominated by indulging beautiful thing (le
joli) and Boucher’s painting shows them a yearning to beautiful which is
simple, bright, luxury, elegant, classy, decorative, and erotic image. Rococo
style is made in France and spread to all over the Europe. In Boucher’s painting,
there is typical image of France. In this painting, nude Venus is make-up with
putti and it looks like she is barely moved. Her bedroom is decorated by velvet
curtain and silk bedding, also pearl, ribbon, gold plate and silver tray thing
and flowers are strewed. In the background, a marble pillar is also emphasis
her social position. Three of putties are make-up her hair and pearl necklace,
also white doves are surrounded by her. Boucher’s The Toilete of Venus looks
beautiful and elegant but her skin is so pale and it makes unrealistic somehow.
I guess that the meaning of the goddess of love become faint and only seek for
the value of beauty and joy is related to pleasure tendencies of the age in the
Rococo. Throughout his work, an ambience of splendor and luxury is implying the
model’s social authority and wealth, also sparkle satin and soft silk things
also imply the opulent lifestyle in France court. I think that in this
painting, splash of colors, sensual express texture, and full of detail is typical
characteristic in Rococo style. According to Boston College, Boucher's success
was greatly enhanced by the patronage of Jeanne-Antoinette Poisson, known to
history as Madame (or Marquise) de Pompadour, the beautiful and talented
mistress of Louis XV. Her favorite painter was Boucher and she wanted to
decorate her country house by Boucher’s painting. ‘The Toilete of Venus’ is one
of the panels in her luxury bathroom. This painting appears the goddess of love
with putti which is winged little angle babies and it is symbols of love. According
to Boston College, while it is clearly only a decorative panel, the dazzling
surface technique, sensuous textures, and profusion of objects that seem to
spill over at the boundaries, typify Boucher's work. In this painting, the
model for the Venus was Madam de Pompadour herself. I guess that this scene
which is image of Venus’s make-up frankly shows women’s desire for chasing
beauty. In this subject, mirror is important symbolic icon. Usually, mirror was
connected to Venus, the goddess of beauty, so back side of bronze mirror in ancient
Greece was make-up or bath scene of Venus. However, in this painting, even
though the mirror is on the bed, it is covered by curtain so it is not
recognizable. Boucher might not want to express traditional Venus’s make-up,
but he wanted to reveal the attractive and beautiful figure and high social
status of Madam de Pompadour.
http://www.metmuseum.org/Collections/search-the-collections/110000172?rpp=20&pg=1&ft=the+toilet+of+venus&pos=1
http://www.bc.edu/bc_org/avp/cas/his/CoreArt/art/anc_bou_toil.html
http://www.metmuseum.org/toah/hd/bouc/hd_bouc.htm
http://arts.search.naver.com/service.naver?where=arts_detail&query=%EB%B9%84%EB%84%88%EC%8A%A4%EC%9D%98+%ED%99%94%EC%9E%A5&os=686462
I like that you pointed out how the curtain is covering up the back of the mirror. This blue curtain is very similar to the "cloth of honor" and other theatrical curtains that we have seen in earlier art (like the Baroque period). However, this cloth does not hang directly behind Venus as a cloth of honor - it seems to be more secularized in this context, merely to add a theatrical element. (Although it is a more muted theatrical element since it is a blue curtain, especially in contrast to the red drapery we saw in the Baroque period.)
ReplyDelete-Prof. Bowen
In my research post, I also learned about France Rococo. It was very influencing at that time with many different artists. You had a nice sense of detail in your post! I enjoyed reading about this painting. My favorite part of this painting is the elegant colors, then the figures are so pale it almost throws you off. Makes me wonder why it's like that!
ReplyDelete